And in America or in some other countries, it’s a rarity and it’s a song that everybody’s going to discover from this movie,” said Poster in a call from New York. (Currently shooting his next film in Spain, Anderson was unavailable to comment for this article.) Anderson uses the song’s stabbing, soaring strings multiple times in a number of different emotional contexts. “Aline” is a song that Poster says he and Anderson have been looking to place in a film for years, just waiting to find the right spot for it. The only Tip-Top song actually heard in “The French Dispatch” is Cocker’s version of “Aline,” a 1965 hit for the singer Christophe, who died in April 2020. It is a source of strain for me that my grasp of the French language is not better than it is.” So that’s why I needed to have this coaching from Laetitia so I can make myself kind of understood. Laetitia Sadier of the group Stereolab served as a coach for Cocker’s French pronunciation, sings a duet on “Paroles, Paroles” and also helped translate the Nino Ferrer song “Looking for You,” which was originally sung in English, into a French version titled “Amour, Je Te Cherche.”Ĭocker noted, “That’s the really, really, really embarrassing part of it all because I studied French in school, I married a French woman, I lived in Paris for quite a long time, but actually my spoken French is pretty atrocious. So that to a French person listening to it, they wouldn’t listen and think, ‘Oh, that’s disrespectful’ or ‘That just doesn’t make sense.’” And that also meant that I had to work on my French pronunciation and stuff like that. “I didn’t want it to be in any way kind of a pastiche-type thing. “I wanted it to be a kind of sincere love letter to French pop music,” said Cocker recently from England. We always try to have it like another flavor not yet in film.” But the music we try to create together is not referential. It’s unpredictable, it is a world where the history of cinema is very present. “There is this sense of humor, a lot of poetry and it’s dreamlike. “He’s going to a world of his own and I like being part of it,” said Desplat. The cast is bursting with recognizable actors, including Bill Murray, Owen Wilson, Willem Dafoe, Elisabeth Moss, Edward Norton, Tony Revolori, Bob Balaban, Lyna Khoudri, Stephen Park and, in a role billed only as “Junkie/Showgirl #1,” Saoirse Ronan. A food writer (Jeffrey Wright) becomes entangled in a kidnapping plot. A journalist (Frances McDormand) assists a young student revolutionary named Zeffirelli (Timothée Chalamet). An art critic (Tilda Swinton) describes a madman artist (Benicio Del Toro) and his prison guard muse (Léa Seydoux). Fox” and worked on a “French Dispatch” companion album of covers of French pop songs titled “Chansons d’Ennui” under the name of a fictional popstar Tip-Top referenced in the film.Īn anthology of stories structured like a magazine, “The French Dispatch” tells the tale of a “New Yorker”-esque English-language publication based in the fictional town of Ennui-sur-Blasé, France. Cocker voiced a character in Anderson’s 2009 animated film “Fantastic Mr. Three of the key collaborators behind the music of the movie recently discussed just how that particular part of Anderson’s highly specific world came together.ĭesplat has composed multiple scores for Anderson, winning an Oscar for his work on 2014’s “The Grand Budapest Hotel.” Music supervisor Randall Poster has worked with Anderson since his first feature film, 1996’s “Bottle Rocket.” Jarvis Cocker is best known as the frontman for the Britpop sensation Pulp before launching a successful solo career. The latest of Anderson’s unmistakable and idiosyncratic creations, “The French Dispatch,” finally reached theaters last week, posting the highest per screen average for a specialty release in the pandemic, and goes wide Friday. These words from composer Alexandre Desplat succinctly describe the filmmaking of Wes Anderson.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |